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In the beginning God created the
heaven and earth; the rest of the architecture he left up to man!
It is our belief that all great
buildings and environments incorporate six major elements: Sense
of Place; History; Clarity; Celebration; Humanity and Spirituality.
In an on-going pursuit to maximize
excellence of design, we have been guided by the following set
of design principles, which are essential components to quality
design.
represents
focus toward the importance of establishing a special and memorable
"sense of place," responsive to a local environment which includes
unique environmental, geographical, and urban issues.
Built form profoundly impacts its
setting and surroundings, and we are committed to influencing
and improving a context well beyond the project's finite building
site. The physical setting for each project is made up of built
and/or natural environment that establishes a basis for our response,
and ultimately, our architectural solution. The conditions of
the environment are extensively evaluated to help develop a plan
focused toward the idea of the "collective energy of the place."
The relationships between the new
and the existing are emphasized and the spatial composition that
defines this relationship is given considerable importance.
is symbolized by our determined effort to establish relationships
to our past, and no where is that past more glorified than in
the Christian Bible! We have recognized that architecture is a
rich tradition, and our projects are a constant reinforcement
of our human culture. The language developed to express architectural
form unavoidably and deliberately refers to our "memories" and
associates with and acknowledges past cultures, places, events
and even buildings. We have found that these associations can
effectively help to establish emotional, comforting and even sentimental
responses.
We have consciously avoided the
concept of "original" or "innovation" purely for their own sake,
and instead seek originality though the innovative reinterpretation
of history presented in terms of today's structures. Any design
effort focused on a new building must first consider the rich
history and tradition of that specific building type.
While a fascinating variety of architectural
precedents can be traced back in time, certain constants can be
identified as qualities giving that building type the meaning
it has today. Our design approach is to respect and reinforce
those important traditions through Architecture conceived to promote
the appropriate and essential characteristics of that building
type. The bottom line is that the architecture should, in some
way, tell a historical story.
is
based on our philosophy that expression through architectural
form should be founded on a conscious and definitive design strategy,
addressing both the parts and the whole, and providing a reference
and framework for decision making. A disciplined strategy establishes
an ordering system which assembles the disparate parts to create
opportunity for architectural expression.
Furthermore, our focus on organization
and system clarity is based on the understanding and recognition
that the complexity of current building technologies demand both
a comprehensive and integrated approach.
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The inherent programmatic complexity
and scale of many of our projects demand that a rigorous conceptual
strategy be established to order the programmatic elements, define
systems of circulation, and inform the distribution of the many
building systems.
An organizational model based on
clearly defined zones will invariably enhance constructability,
economy and flexibility, and will also help to designate simple
and coherent patterns of building circulation. Bottom line: keep
it simple.
is a design fundamental where special emphasis is applied to a
creative interpretation of a specific element of the program in
order to celebrate what has normally been perceived to mundane
human activity. It is the result of reaching beyond merely understanding
the essential ingredients of the program, the specific conditions
of the site, and the unique relationships of the people who will
use the building. Celebration in architecture is the poetic result
of discovering the "magic which is hidden between the lines."
It is the unleashing of the potential energy of the whole.
is the recognition of unique human perspectives in architecture,
and is a major design principle guiding our work. Humanity as
a design element results from our ongoing analysis of human response
to our physical environment to determine "what stirs the soul."
We are convinced that the quality of our surroundings affects
our state
of
being, our outlook, and our performance. A grasp of what elements
of architecture "inspire and delight", and conversely, what elements
"discourage and disturb", equip us with the tools to create a
meaningful and descriptive architectural language.
The great majority of the congregation
are far more affected by the interior spatial organization, way
finding, and ambiance than they are the exterior of the building.
In many church facilities, architecture is in fact theater.
In designing facilities we place
ourselves in the members' shoes and visualize walking through
all aspects of the church from the entry foyer to the sanctuary,
to the classrooms and the public gathering areas. We call this
concept "designing from the inside out", and is the primary reason
why Jon Moore is licensed as both an interior designer and an
architect. We strive to design spaces with human love and enjoyment
in mind.
is the sense of connection that
forms a central defining characteristic, a connection to something
"greater" than oneself, which includes an emotional experience
of religious awe and reverence. Equally important, spirituality
relates to matters of sanity and of psychological health.
Spirituality forms an essential
part of an individual's holistic health and well-being, manifesting
improvements in the physical reality around oneself as awareness
of a connection with self, others, and God increases and results
in an inward change.
Spirituality in architecture, therefore,
conceptually reinforces this sense of connection, health and well
being through the use of color, light and spatial design of the
built environment.
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